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What Is Christo and Jeanneclaudeã¢ââ¢s Best Known Collaborative Work? Art History

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American musician

In this Castilian name, the start or paternal surname is Santana and the 2d or maternal family name is Barragán.

Carlos Santana
Santana Acer Arena (5558151833) (cropped).jpg

Santana performing in 2011
Background data
Birth name Carlos Humberto Santana Barragán
Built-in (1947-07-xx) July 20, 1947 (age 74)
Autlán, Jalisco, United mexican states
Origin San Francisco, California, U.South.
Genres
  • Latin rock
  • blues stone
  • jazz fusion
Occupation(s)
  • Musician
  • songwriter
Instruments
  • Guitar
  • vocals
Years active 1965–nowadays[update]
Labels
  • RCA[1]
  • Arista
  • Polydor
  • Columbia
  • CGD
  • PolyGram
Associated acts
  • Santana
  • John McLaughlin
  • Alice Coltrane
  • Buddy Miles
  • Wayne Shorter
  • Jorge Santana
Website santana.com

Musical creative person

Carlos Humberto Santana Barragán [ii] (Spanish: [.karlos sanˈtana] ( listen ); built-in July 20, 1947) is an American guitarist who rose to fame in the late 1960s and early 1970s with his band Santana, which pioneered a fusion of rock 'n' whorl and Latin American jazz. Its sound featured his melodic, blues-based lines set against Latin American and African rhythms played on percussion instruments non generally heard in rock, such as timbales and congas. He experienced a resurgence of popularity and critical acclaim in the late 1990s. In 2015, Rolling Stone magazine listed him at No. 20 on their list of the 100 greatest guitarists.[three] He has won x Grammy Awards and three Latin Grammy Awards,[4] and was inducted forth with his namesake band into the Rock and Curl Hall of Fame in 1998.[5]

Biography [edit]

Early life [edit]

Santana was born in Autlán de Navarro in Jalisco, Mexico on July xx, 1947. He learned to play the violin at age five and the guitar at age eight, under the tutelage of his father, who was a mariachi musician.[half-dozen] His younger brother, Jorge, besides became a professional guitarist. Santana was heavily influenced by Ritchie Valens at a time when there were very few Mexicans in American stone music. The family moved from Autlán to Tijuana, on the border with the U.Due south. They and so moved to San Francisco, California, where his father had steady piece of work.[6] [seven] [8] [nine] In October 1966, Santana started the Santana Blues Band. By 1968, the band had begun to comprise unlike types of influences into their electric dejection. Santana later on said, "If I would get to some true cat'south room, he'd be listening to Sly [Stone] and Jimi Hendrix; another guy to the Stones and the Beatles. Another guy'd be listening to Tito Puente and Mongo Santamaría. Another guy'd be listening to Miles [Davis] and [John] Coltrane... to me, it was like existence at a university."[x]

Around the age of eight, Santana "barbarous under the influence" of dejection performers like B.B. Male monarch, Javier Bátiz, Mike Bloomfield, and John Lee Hooker. Gábor Szabó'southward mid-1960s jazz guitar piece of work also strongly influenced Santana's playing. Indeed, Szabó's composition "Gypsy Queen" was used as the second function of Santana's 1970 treatment of Peter Green's composition "Blackness Magic Adult female", almost downwardly to identical guitar licks. Santana's 2012 instrumental anthology Shape Shifter includes a song called "Mr. Szabo", played in tribute in the mode of Szabó. Santana likewise credits Hendrix, Bloomfield, Hank Marvin, and Peter Green as important influences; he considered Bloomfield a direct mentor, writing of a central meeting with Bloomfield in San Francisco in the foreword he wrote to a 2000 biography of Bloomfield, Michael Bloomfield: If Yous Love These Dejection – An Oral History.[11] Between the ages of 10 and 12, he was sexually abused past an American homo who brought him across the border.[12] Santana lived in the Mission District, graduated from James Lick Middle School, and left Mission High School in 1965. He was accepted at California State University, Northridge and Humboldt State University, merely chose not to attend higher.[13]

Early career [edit]

Santana was influenced by popular artists of the 1950s such as B.B. Rex, T-Bone Walker, Javier Batiz,[xv] and John Lee Hooker.[16] Soon later on he began playing guitar, he joined local bands forth the "Tijuana Strip" where he was able to begin developing his own sound.[xvi] He was as well introduced to a variety of new musical influences, including jazz and folk music, and witnessed the growing hippie movement centered in San Francisco in the 1960s. Subsequently several years spent working every bit a dishwasher at Tic Tock Bulldoze-In No2 and busking to pay for a Gibson SG, replacing a destroyed Gibson Melody Maker,[17] Santana decided to become a full-fourth dimension musician. In 1966, he was chosen along with other musicians to form an advert hoc band to substitute for that of an intoxicated Paul Butterfield set to play a Sunday matinee at Neb Graham's Fillmore Auditorium. Graham selected the substitutes from musicians he knew primarily through his connections with the Butterfield Blues Band, Grateful Dead, and Jefferson Airplane. Santana's guitar playing caught the attention of both the audience and Graham.[18]

During the same year he and fellow street musicians David Brownish (bass guitar), Marcus Malone (percussion) and Gregg Rolie (lead vocals, Hammond Organ B3), formed the Santana Blues Band.[19] Playing a highly original blend of Latin-infused rock, jazz, blues, salsa, and African rhythms, the band gained an immediate following on the San Francisco club circuit.

Record bargain, Woodstock breakthrough, and height of success: 1969–1972 [edit]

Trade ad for Santana'south album Santana III

Santana's ring was signed by Columbia Records, which shortened its proper name to just "Santana".[xx] It went into the studio to tape its first album in January 1969, finally laying down tracks in May that became its starting time album. Members were not satisfied with the release, dismissed drummer Bob Livingston, and added Mike Shrieve, who had a strong background in both jazz and rock. The band then lost percussionist Marcus Malone, who was charged with involuntary manslaughter. Michael Carabello was re-enlisted in his identify, bringing with him experienced Nicaraguan percussionist José Chepito Areas.

Major stone music promoter Beak Graham, a Latin Music aficionado who had been a fan of Santana from its inception, arranged for the band to appear at the Woodstock Music and Art Festival before its debut album was fifty-fifty released. Its set was one of the surprises of the festival, highlighted by an eleven-minute performance of a throbbing instrumental, "Soul Cede". Its inclusion in the Woodstock picture show and soundtrack album vastly increased the band's popularity. Graham also suggested Santana record the Willie Bobo song "Evil Ways", as he felt it would become radio airplay. The band'south first album, Santana, was released in August 1969 and became a hit, reaching No. 4 on the U.S. Billboard 200.[21]

The ring's operation at Woodstock and the follow-upward audio track and movie introduced them to an international audience and garnered disquisitional acclaim. The sudden success which followed put pressure level on the group, highlighting the different musical directions Rolie and Santana were starting to go. Rolie, along with some of the other ring members, wanted to emphasize a basic difficult rock sound which had been a fundamental component in establishing the band from the start. Santana, however, was increasingly interested in moving across his love of blues and rock and wanted more jazzy, ethereal elements in the music. He became fascinated with Gábor Szabó, Miles Davis, Pharoah Sanders, and John Coltrane, as well every bit developing a growing interest in spirituality. At the aforementioned time, Chepito Areas was stricken with a near-fatal brain hemorrhage, and Santana hoped to go on by finding a temporary replacement (first Willie Bobo, then Coke Escovedo), while others in the band, especially Michael Carabello, felt it was wrong to perform publicly without Areas. Cliques formed, and the band started to disintegrate.

Consolidating the interest generated by their beginning album, and their highly acclaimed live performance at the Woodstock Festival in Baronial 1969, the band followed up with their second album, Abraxas, in September 1970. The album's mix of rock, blues, jazz, salsa and other influences was very well received, showing a musical maturation from their first album and refining the band'southward early on audio. Abraxas included ii of Santana'due south most enduring and well-known hits, "Oye Como Va", and "Black Magic Woman/Gypsy Queen". Abraxas spent six weeks at No. 1 on the Billboard chart at the finish of 1970.[22] The album remained on the charts for 88 weeks and was certified 4x platinum in 1986.[23] In 2003, the album was ranked number 205 on Rolling Stone magazine's list of the 500 greatest albums of all fourth dimension.[24]

Teenage San Francisco Bay Area guitar prodigy Neal Schon joined the Santana band in 1971, in time to consummate the third anthology, Santana Three. The band at present boasted a powerful dual-lead-guitar act that gave the album a tougher audio. The audio of the band was besides helped by the render of a recuperated Chepito Areas and the assistance of Coke Escovedo in the percussion section. Enhancing the ring'southward sound further was the support of popular Bay Expanse group Tower of Ability's horn section, Luis Gasca of Malo, and other session musicians which added to both percussion and vocals, injecting more energy to the proceedings. Santana Three was another success, reaching No. one on the anthology charts, selling two 1000000 copies, and yielding the striking "No One to Depend On".

Tension between members of the ring continued, however. Forth with musical differences, drug use became a problem, and Santana was deeply worried that information technology was affecting the band's operation. Coke Escovedo encouraged Santana to take more control of the band'due south musical direction, much to the dismay of some of the others who idea that the ring and its audio was a collective endeavour. Also, fiscal irregularities were exposed while under the management of Stan Marcum, whom Bill Graham criticized equally beingness incompetent. Growing resentments between Santana and Michael Carabello over lifestyle issues resulted in his deviation on bad terms. James Mingo Lewis was hired at the last minute as a replacement at a concert in New York City. David Brown later left due to substance abuse problems. A Due south American tour was cut short in Lima, Peru due to unruly fans and pupil protests against U.Due south. governmental policies.

In January 1972, Santana, Schon, Escovedo, and Lewis joined sometime Band of Gypsys drummer Buddy Miles for a concert at Hawaii'south Diamond Head Crater, which was recorded for the album Carlos Santana & Buddy Miles! Live!, which became a gold record.

Caravanserai [edit]

Santana performing in Hamburg, Frg in 1973

In early 1972, Santana and the remaining members of the ring started working on their fourth album, Caravanserai. During the studio sessions, Santana and Michael Shrieve brought in other musicians: percussionists James Mingo Lewis and Latin-Jazz veteran, Armando Peraza replacing Michael Carabello, and bassists Tom Rutley and Doug Rauch replacing David Brownish. Also assisting on keyboards were Wendy Haas and Tom Coster. With the unsettling influx of new players in the studio, Gregg Rolie and Neal Schon decided that it was time to leave after the completion of the anthology, even though both contributed to the session. Rolie returned home to Seattle; later, he and Schon became founding members of Journeying.

When Caravanserai did emerge in 1972, information technology marked a strong change in musical direction towards jazz fusion. The album received critical praise, only CBS executive Clive Davis warned Santana and the band that information technology would sabotage the ring'due south position as a "Top 40" act. Nevertheless, over the years, the anthology achieved platinum status. The difficulties Santana and the ring went through during this period were chronicled in Ben Fong-Torres' Rolling Rock 1972 cover story "The Resurrection of Carlos Santana".

Shifting styles and spirituality: 1972–1979 [edit]

New year's day'southward Eve 1976 at the Cow Palace in San Francisco

In 1972, Santana became interested in the pioneering fusion band the Mahavishnu Orchestra and its guitarist, John McLaughlin. Aware of Santana's involvement in meditation, McLaughlin introduced Santana and his wife Deborah to his guru Sri Chinmoy. Chinmoy accepted them every bit disciples in 1973. Santana was given the proper name Devadip, meaning "The lamp, lite and heart of God". Santana and McLaughlin recorded an anthology together, Dearest, Devotion, Give up (1973) with members of Santana and the Mahavishnu Orchestra, forth with percussionist Don Alias and organist Larry Young, both of whom had fabricated appearances, along with McLaughlin, on Miles Davis' classic 1970 album Bitches Brew.

In 1973, Santana, having obtained legal rights to the ring'southward name, Santana, formed a new version of the band with Armando Peraza and Chepito Areas on percussion, Doug Rauch on bass, Michael Shrieve on drums, and Tom Coster and Richard Kermode on keyboards. Santana afterwards was able to recruit jazz vocaliser Leon Thomas for the tour supporting Caravanserai in Japan on July three and 4, 1973, which was recorded for the 1974 live, sprawling, high-energy triple vinyl LP fusion album Lotus. CBS records would not allow its release unless the material was condensed. Santana did not concur to those terms, and Lotus was available in the U.South. only equally an expensive, imported, three-record set. The group later went into the studio and recorded Welcome (1973), which further reflected Santana'south interests in jazz fusion and his increasing commitment to the spiritual life of Sri Chinmoy.

A collaboration with John Coltrane's widow, Alice Coltrane, Illuminations (1974), followed. The album delved into advanced esoteric free jazz, Eastern Indian and classical influences with other ex-Miles Davis sidemen Jack DeJohnette and Dave Holland. Presently after, Santana replaced his ring members again. This time Kermode, Thomas and Rauch departed from the group and were replaced by vocalizer Leon Patillo (later a successful Gimmicky Christian artist) and returning bassist David Brown. He also recruited soprano saxophonist, Jules Broussard for the lineup. The band recorded one studio album Borboletta, which was released in 1974. Drummer Leon "Ndugu" Chancler later joined the band every bit a replacement for Michael Shrieve, who left to pursue a solo career.

By this time, Neb Graham'due south management company had assumed responsibleness for the diplomacy of the group. Graham was critical of Santana'southward move into jazz and felt he needed to concentrate on getting Santana back into the charts with the edgy, streetwise ethnic sound that had fabricated them famous. Santana himself was seeing that the grouping'southward management was alienating many fans. Although the albums and performances were given good reviews by critics in jazz and jazz fusion circles, sales had plummeted.

Santana, along with Tom Coster, producer David Rubinson, and Chancler, formed yet another version of Santana, calculation vocaliser Greg Walker. The 1976 album Amigos, which featured the songs "Dance, Sister, Dance" and "Allow Information technology Shine", had a strong funk and Latin sound. The album received considerable airplay on FM album-oriented rock stations with the instrumental "Europa (Earth's Cry Heaven'southward Smiling)" and re-introduced Santana to the charts. In 1976, Rolling Rock ran a second cover story on Santana entitled "Santana Comes Dwelling house". In February 1976, Santana was presented with fifteen gold disc in Australia, representing sales in backlog of 244,000.[25]

The albums conceived through the late 1970s followed the same formula, although with several lineup changes. Among the new personnel who joined was electric current percussionist Raul Rekow, who joined in early 1977. Most notable of the band'due south commercial efforts of this era was a version of the 1960s Zombies hit, "She's Not There", on the 1977 double anthology Moonflower.

Santana recorded 2 solo projects in this fourth dimension: Oneness: Argent Dreams – Golden Reality, in 1979 and The Swing of Delight in 1980, which featured Herbie Hancock, Wayne Shorter, Ron Carter, and Tony Williams.

The pressures and temptations of being a high-contour rock musician and requirements of the spiritual lifestyle which guru Sri Chinmoy and his followers demanded were in conflict, and imposed considerable stress upon Santana's lifestyle and union. He was becoming increasingly disillusioned with what he thought were the unreasonable rules that Chinmoy imposed on his life, and in particular with his refusal to allow Santana and Deborah to commencement a family. He felt too that his fame was being used to increase the guru'due south visibility. Santana and Deborah eventually ended their relationship with Chinmoy in 1982.

1980s and early 1990s [edit]

Santana in Barcelona, Kingdom of spain, 1984

More radio-friendly singles followed from Santana and the band. "Winning" in 1981 (from Zebop!) and "Hold On" (a remake of the Canadian artist Ian Thomas' song) in 1982 both reached the top twenty. After his break with Sri Chinmoy, Santana went into the studio to tape another solo anthology with Keith Olson and legendary R&B producer Jerry Wexler. The 1983 anthology Havana Moon revisited Santana's early on musical experiences in Tijuana with Bo Diddley's "Who Do You Honey" and the title cutting, Chuck Berry's "Havana Moon". The album'south guests included Booker T. Jones, the Fabulous Thunderbirds, Willie Nelson, and even Santana'due south male parent's mariachi orchestra. Santana over again paid tribute to his early on rock roots by doing the film score to La Bamba, which was based on the life of rock and roll legend Ritchie Valens and starred Lou Diamond Phillips.

The band Santana returned in 1985 with a new album, Beyond Appearances, and 2 years later with Liberty.

Growing weary of trying to appease record visitor executives with formulaic hit records, Santana took great pleasure in jamming and making invitee appearances with notables such as the jazz fusion grouping Atmospheric condition Written report, jazz pianist McCoy Tyner, Blues legend John Lee Hooker, Frank Franklin, Living Colour guitarist Vernon Reid, and West African vocalist Salif Keita. He and Mickey Hart of the Grateful Expressionless afterwards recorded and performed with Nigerian drummer Babatunde Olatunji, who conceived one of Santana'southward famous 1960s drum jams, "Jingo". In 1988, Santana organized a reunion with past members from the Santana band for a series of concert dates. CBS records released a 20-year retrospective of the ring'due south accomplishments with Viva Santana! double CD compilation. That same year, Santana formed an all-instrumental group featuring jazz fable Wayne Shorter on tenor and soprano saxophone. The group also included Patrice Rushen on keyboards, Alphonso Johnson on bass, Armando Peraza and Chepito Areas on percussion, and Leon "Ndugu" Chancler on drums. They toured briefly and received much acclaim from the music printing, who compared the endeavor with the era of Caravanserai (1972). Santana released some other solo record, Blues for Salvador (1987), which won a Grammy Award for Best Stone Instrumental Operation.

In 1990, Santana left Columbia Records after twenty-two years and signed with Polygram. The following yr he made a guest appearance on Ottmar Liebert's album, Solo Para Ti (1991), on the songs "Reaching out two U" and on a cover of his own song, "Samba Pa Ti". In 1992, Santana hired the jam band Phish as his opening act.[26] On his 1992 bout, Santana regularly invited some or all of the members of Phish to jam with his band during his headlining performances.[27] [28] Phish also toured with Santana in Europe in 1996.[28]

Return to commercial success [edit]

Santana performing in 2000

Santana kicked off the 1990s with a new album Spirits Dancing in the Flesh in 1990. This was followed by Milagro in 1992, a alive album Sacred Fire in 1993 and Brothers (a collaboration with his brother Jorge and nephew Carlos Hernandez) in 1994, simply sales were relatively poor. Santana toured widely over the next few years merely at that place were no further new album releases, and eventually, he was even without a recording contract. Yet, Arista Records' Clive Davis, who had worked with Santana at Columbia Records, signed him and encouraged him to record a star-studded album with mostly younger artists. The result was 1999'southward Supernatural, which included collaborations with Everlast, Rob Thomas of Matchbox 20, Eric Clapton, Lauryn Hill, Wyclef Jean, CeeLo Green, Maná, Dave Matthews, KC Porter, J. B. Eckl, and others.

Still, the lead single was what grabbed the attention of both fans and the music manufacture. "Shine", a dynamic cha-cha stop-start number co-written and sung by Rob Thomas of Matchbox Twenty, was laced throughout with Santana's guitar fills and runs. The track's energy was immediately apparent on radio, and information technology was played on a wide multifariousness of station formats. "Smooth" spent twelve weeks at number one on the Billboard Hot 100, becoming in the procedure the last No. 1 single of the 1990s. The music video, set on a hot barrio street, was as well very pop. Supernatural reached number ane on the The states album charts and the follow-upward single, "Maria Maria", featuring the R&B duo the Product G&B, also striking number ane, spending ten weeks there in the leap of 2000. Supernatural somewhen shipped over 15 million copies in the The states, and won 8 Grammy Awards including Album of the Year, making it Santana'south near successful album.

Carlos Santana, alongside the classic Santana lineup of their commencement 2 albums, was inducted as an individual, into the Stone and Roll Hall of Fame in 1998. He performed "Black Magic Adult female" with the author of the vocal, Fleetwood Mac's founder Peter Light-green. Green was inducted the same night.

In 2000, Supernatural won 9 Grammy Awards (eight for Santana personally), including Album of the Twelvemonth, Record of the Year for "Polish", and Song of the Twelvemonth for Thomas and Itaal Shur. Santana's acceptance speeches described his feelings about music's place in one'southward spiritual existence. Later that year at the Latin Grammy Awards, he won three awards including Record of the Year. In 2001, Santana'south guitar skills were featured in Michael Jackson's song "Whatever Happens" from the album Invincible.

In 2002, Santana released Shaman, revisiting the Supernatural format of guest artists including Citizen Cope, P.O.D., and Seal. Although the anthology was non the runaway success its predecessor had been, it produced two radio-friendly hits. "The Game of Beloved" featuring Michelle Co-operative rose to number five on the Billboard Hot 100 and spent many weeks at the top of the Billboard Adult Contemporary chart, and "Why Don't Y'all & I" written by and featuring Chad Kroeger from the grouping Nickelback (the original and a remix with Alex Band from the grouping the Calling were combined towards chart performance) which reached number eight on the Billboard Hot 100. "The Game of Love" went on to win the Grammy Award for All-time Popular Collaboration with Vocals. In the aforementioned twelvemonth, he was inducted into the International Latin Music Hall of Fame.[29]

Santana 2003 at a concert in Barcelona

In early August 2003, Santana was named fifteenth on Rolling Stone magazine's list of the "100 Greatest Guitarists of All Time". In 2004, Santana was honored as the Person of the Yr by the Latin Recording Academy.[30]

On April 21, 2005, Santana was honored as a BMI Icon at the 12th almanac BMI Latin Awards. Santana was the outset songwriter designated a BMI Icon at the visitor's Latin Awards. The honor is given to a creator who has been "a unique and indelible influence on generations of music makers."[31]

Santana during a concert in 2005

In 2005, Herbie Hancock approached Santana to interact on an anthology over again using the Supernatural formula. Possibilities was released on August 30, 2005, featuring Carlos Santana and Angélique Kidjo on "Safiatou". Also, in 2005, beau Latin star Shakira invited Santana to play the soft stone guitar ballad "Illegal" on her second English language-language studio album Oral Fixation, Vol. 2.

Santana's 2005 album All That I Am consists primarily of collaborations with other artists; the first unmarried, the peppy "I'thousand Feeling You", was again with Michelle Branch and the Wreckers. Other musicians joining the mix this time included Steven Tyler of Aerosmith, Kirk Hammett from Metallica, hip-hop artist/songwriter/producer volition.i.am, guitarist/songwriter/producer George Pajon, hip-hop/reggae star Sean Paul, and R&B vocalizer Joss Rock. In April and May 2006, Santana toured Europe, where he promoted his son Salvador Santana's band every bit his opening act.

In 2007, Santana appeared, forth with Sheila E. and José Feliciano, on Gloria Estefan's album xc Millas, on the single "No Llores". He also teamed over again with Republic of chad Kroeger for the hit unmarried "Into the Night". He too played guitar in Eros Ramazzotti'southward hit "Fuoco nel fuoco" from the album e².

In 2008, Santana was reported to be working with his longtime friend, Marcelo Vieira, on his solo album Audio-visual Demos, which was released at the end of the year. It features tracks such equally "For Flavia" and "Beyond the Grave", the latter said to feature heavy melodic riffs past Santana.

Santana performed at the 2009 American Idol Finale with the height thirteen finalists, which starred many acts such every bit Buss, Queen and Rod Stewart. On July 8, 2009, Santana appeared at the Athens Olympic Stadium in Athens with his x-member all-star ring every bit part of his "Supernatural Santana – A Trip through the Hits" European bout. On July 10, 2009, he also appeared at Philip Two Stadium in Skopje. With a 2.five-hour long concert and twenty 000 people, Santana appeared for the first fourth dimension in that region. "Supernatural Santana – A Trip through the Hits" was played at the Hard Rock hotel in Las Vegas, where information technology was played through 2011.

Santana is featured as a playable character in the music video game Guitar Hero v. A live recording of his song "No 1 to Depend On" is included in game, which was released on September i, 2009.[32] More recently, in 2011, iii Santana songs were offered as downloadable content (DLC) for guitar learning software Rocksmith: "Oye Como Va", "Smooth", and "Black Magic Adult female/Gypsy Queen". In the same yr, Santana received the Billboard Latin Music Lifetime Achievement Award.[33]

Santana, since 2007, has opened a chain of upscale Mexican restaurants chosen "Maria Maria". Information technology is a combined effort with Chef Roberto Santibañez. They were located in Tempe, Arizona, Mill Valley (now closed), Walnut Creek, Danville, San Diego, Austin, Texas, and Boca Raton, Florida.[34] As of 2021, the but open location is in Walnut Creek.[35]

In 2012, Santana released an album Shape Shifter consisting of more often than not instrumental tracks. On February 23, 2013, at that place was a public announcement on ultimateclassicrock.com nearly a reunion of the surviving members (minus Jose "Chepito" Areas) of the Santana band who recorded Santana 3 in 1971. The subsequent album was titled Santana 4. On May 6, 2014, his showtime always Spanish language album[36] Corazón was released.

On September 12, 2015, Santana appeared as a member of Grateful Dead bassist Phil Lesh's band Phil Lesh and Friends at the third annual Lockn' Festival. He has continued to act as a mentor to a younger generation of jam acts, similar Derek Trucks and Robert Randolph.[37]

In 2016, Carlos Santana reunited with past Santana band members Gregg Rolie, Michael Carabello, Michael Shrieve, and Neil Schon to release the album: Santana Four and the band embarked on a brief tour. A full set from this lineup was filmed at the House of Blues in Las Vegas and was released as a alive anthology and a DVD titled Live at the Firm of Dejection Las Vegas.

In 2017, Santana collaborated with the Isley Brothers to release the album The Power of Peace on July 28, 2017.

In December 2018, Santana published a guitar lesson on YouTube every bit part of the online education serial MasterClass.[38]

In Oct 2019, Santana was featured on the American rapper Tyga's song "Mamacita" alongside American rapper YG. The vocal'due south music video premiered on YouTube on 25 Oct.

In March 2020, Santana'southward "Miraculous Globe Tour" was cancelled due to the COVID-19 pandemic.[39]

In August 2021, Santana signed a new global tape deal with BMG to release his new full-length studio anthology Blessings and Miracles.[xl] The same month, he performed in New York's Central Park along with Rob Thomas and Wycliffe Jean.[41]

Equipment [edit]

Guitars and furnishings [edit]

Santana played a cherry Gibson SG Special with P-90 pickups at the Woodstock festival (1969). During 1970–1972, between the release of Abraxas (1970) and Santana III 1971, he used different Gibson Les Pauls and a black Gibson SG Special. In 1974, he played and endorsed the Gibson L6-Southward Custom. This tin exist heard on the album Borboletta (1974). From 1976 until 1982, his main guitar was a Yamaha SG 175B, and sometimes a white Gibson SG Custom with three open-coil option-ups. In 1982, he started to use a custom made PRS Custom 24 guitar. In 1988 PRS Guitars began making Santana signature model guitars, which Santana has played through its various iterations e'er since (see below).

Santana currently uses a Santana Ii model guitar fitted with PRS Santana Iii nickel-covered pickups, a tremolo bar, and .009–.042 gauge D'Addario strings. He also plays a PRS Santana Md "The Multidimensional" guitar.[42] The Santana guitars feature necks fabricated of a unmarried piece of mahogany topped with rosewood fretboards (some feature highly sought-after Brazilian rosewood).[43]

Santana Signature models:

  • PRS Santana I "The Yellow" guitar (1988)
  • PRS Santana Two "Supernatural" guitar (1999)
  • PRS Santana Three guitar (2001)
  • PRS Santana SE guitar (2001)
  • PRS Santana SE II guitar (2003)
  • PRS Santana Shaman SE-Limited Edition guitar (2003)
  • PRS Santana MD "The Multidimensional" guitar (2008)
  • PRS Santana 25th Anniversary guitar (2009)
  • PRS Santana Abraxas SE-Limited Edition guitar (2009)
  • PRS Santana SE "The Multidimensional" guitar (2011)
  • PRS Santana Retro guitar (2017)
  • PRS Santana Yellow SE guitar (2017)

The Carlos Santana exhibit in the Artist Gallery of the Musical Instrument Museum of Phoenix

Santana besides uses a classical guitar, he used the Alvarez Yairi CY127CE with Alvarez tension nylon strings,[44] in the terminal years from 2009 he uses custom fabricated, semi-hollow Toru Nittono'south "Model-T" Jazz Electric Nylon.[45]

Santana does not employ many effects pedals. His PRS guitar is continued to a Mu-Tron Wah-wah pedal (or, more recently, a Dunlop 535Q wah[46] and a T-Rex Replica filibuster pedal,[46] [47] and so through a customized Jim Dunlop amp switcher which in turn is connected to the different amps or cabinets.

Previous setups include an Ibanez Tube Screamer[48] right after the guitar. He is also known to have used an Electro-Harmonix Large Muff distortion for his famous sustain. In the vocal "Stand Upward" from the album Marathon (1979), Santana uses a Heil talk box in the guitar solo. He has also used the Audiotech Guitar Products 1x6 Rack Mount Sound Switcher in rehearsals for the 2008 "Live Your Light" tour.

Santana uses 2 different guitar picks: the large triangular Dunlop he has used for so many years, and the V-Pick Freakishly Large Circular.

Amplifiers [edit]

Santana's distinctive guitar tone is produced by PRS Santana signature guitars plugged into multiple amplifiers. The amps consist of a Mesa Boogie Mark I, Dumble Overdrive Reverb and more recently a Bludotone amplifier. Santana compares the tonal qualities of each amplifier to that of a singer producing caput/nasal tones, chest tones, and belly tones. A three-mode amp switcher is employed on Carlos'south pedal board to enable him to switch between amps. Ofttimes the unique tones of each amplifier are blended together, complementing each other producing a richer tone.

He likewise put the "Boogie" in Mesa Boogie. Santana is credited with coining the pop Mesa amplifier proper name when he tried one and exclaimed, "That niggling thing really Boogies!"[49]

Specifically, Santana combines a Mesa/Boogie Mark I head running through a Boogie chiffonier with Altec 417-8H (or recently JBL E120s) speakers, and a Dumble Overdrive Reverb and/or a Dumble Overdrive Special running through a Dark-brown or Marshall 4x12 cabinet with Celestion G12M "Greenback" speakers, depending on the desired audio. Shure KSM-32 microphones are used to selection up the sound, going to the PA. Additionally, a Fender Cyber-Twin Amp is mostly used at home.

During his early career, Santana used a GMT transistor amplifier stack and a silverface Fender Twin. The GMT 226A rig was used at the Woodstock concert as well every bit during recording Santana's debut album. During this era, Santana also began to use the Fender Twin, which was besides used on the debut and proceedingly[ clarification needed ] at the recording sessions of Abraxas.

Personal life [edit]

Santana became a naturalized U.S. citizen in 1965.[50] He married Deborah Male monarch, daughter of blues musician Saunders King, in 1973. They take three children named Salvador, Stella, and Angelica,[51] and co-founded a non-profit organization chosen the Milagro (Phenomenon) Foundation, which provides financial aid for educational, medical, and other needs.[52] [53] On Oct 19, 2007, Deborah filed for divorce after 34 years of spousal relationship, citing irreconcilable differences.[54]

Santana became engaged to drummer Cindy Blackman after proposing to her during a concert of the Universal Tone Tour at Tinley Park on July 9, 2010. The two were married in Dec 2010,[55] [56] and currently alive in Las Vegas.[57]

Discography [edit]

Studio albums [edit]

  • Love Devotion Give up (1973)
  • Illuminations (1974)
  • Oneness – Silver Dreams Aureate Reality (1979)
  • The Swing of Delight (1980)
  • Havana Moon (1983)
  • Dejection for Salvador (1987)
  • Santana Brothers (1993)

Live albums [edit]

  • Carlos Santana & Buddy Miles! Live! (1972)
  • Carlos Santana Live (2004) – unofficial
  • Carlos Santana and Wayne Shorter (2005)

Compilation albums [edit]

  • Magic of Carlos Santana (2001)
  • Divine Calorie-free (2001)
  • The Latin Sound of Carlos Santana (2003)
  • Carlos Santana (2004)
  • Very All-time of Carlos Santana (2005)
  • Carlos Santana (2006)
  • Havana Moon/Blues for Salvador (2007)
  • Multi-Dimensional Warrior (2008)

Guest appearances [edit]

  • Dora the Explorer, "Oye Como Va" (2005)

Memoir [edit]

On November 4, 2014, his memoir The Universal Tone: Bringing My Story to Lite was published.[36] [58] ISBN 978-0-31624-492-3

Awards and nominations [edit]

See too [edit]

Explanatory notes [edit]

  1. ^ Indicates the year of ceremony. Each twelvemonth is linked to the article most the awards held that year, wherever possible.

Citations [edit]

  1. ^ "RCA's Peter Border, Tom Corson on the Shuttering of Jive, J and Arista". Billboard. October 7, 2011. Retrieved Dec 31, 2011.
  2. ^ Ovalle, Juan Martín (March 29, 2019). "Un verano con el legendario Carlos Santana". Fort Worth Star-Telegram (in Spanish).
  3. ^ "100 Greatest Guitarists". Rolling Rock. December 18, 2015. Archived from the original on July 30, 2018. Retrieved August 12, 2018.
  4. ^ "Santana received 10 Grammy Awards and iii Latin Grammy Awards". AllMusic. 1999. Retrieved October 20, 2010.
  5. ^ "Santana". Rock and Roll Hall of Fame. Retrieved Baronial 15, 2019.
  6. ^ a b Brichi, Karim. "1947-1966". Santanamigos . Retrieved September 27, 2020.
  7. ^ "The Latin American Club". Dial . Retrieved September 27, 2020.
  8. ^ "Third Eye Blind's Stephan Jenkins Walks Usa Downwards Valencia Street in San Francisco's Mission". vice.com . Retrieved September 27, 2020.
  9. ^ "Bay Surface area". technology.osu.edu. April 29, 2020. Retrieved September 27, 2020.
  10. ^ Szatmary, David P. (2014). Rockin' in Time. Us: Pearson. p. 216. ISBN978-0-205-93624-iii.
  11. ^ "Carlos Santana Influences". Dougpayne.com. April 23, 1977. Retrieved March xiii, 2010.
  12. ^ "Santana Says He Was Molested Equally A Child". mtv.com.
  13. ^ "50 facts from life of Carlos Santana". BOOMSbeat. December 29, 2015. Retrieved August xi, 2017.
  14. ^ Carlos Santana: I'thousand Immortal interview by Punto Digital, October 13, 2010.
  15. ^ "Javier Bátiz, Santana – I love you much too much (en directo)". June ii, 2015. Archived from the original on October 28, 2021 – via YouTube.
  16. ^ a b "Carlos Santana – the king of World Music". La Voz. Denver: La Voz Publishing Company. 24 (34): xi. August 26, 1998. ISSN 0746-0988. OCLC 9747738. When the family moved to the boom town of Tijuana in 1955, 8-yr-former Carlos picked up the guitar, studying and emulating the sounds of B.B. Male monarch, T-Bone Walker, and John Lee Hooker. Presently he was playing with local bands like "T.J.'s," where he added his own unique affect and feel to the pop songs of '50s rock 'n' roll. As he continued to play with different bands along the decorated "Tijuana Strip," he started to perfect his style and sound.
  17. ^ Santana, Carlos (November four, 2014). The Universal Tone: Bringing My Story to Light. Little, Brown. ISBN978-0-316-24491-vi. That's how I began my career equally a dishwasher at the Tic Tock Drive In. I worked at the one at tertiary and Rex
  18. ^ Shapiro, Marc, "Carlos Santana: Dorsum on Top", pages 57–58, St. Martin's Printing, ISBN 0-312-26904-8, 2000.
  19. ^ Ruhlmann, William (2003). "Carlos Santana > Biography". AllMusic . Retrieved June 25, 2009.
  20. ^ [1] [ expressionless link ]
  21. ^ Santana. Sony. 1998. 489542-ii.
  22. ^ "Chart Crush Bonus". Billboard. November i, 2002. Retrieved June 14, 2014.
  23. ^ "Santana – Abraxas". Superseventies.com. Retrieved June xiv, 2014.
  24. ^ Levy, Joe; Steven Van Zandt (2006) [2005]. "205 | Abraxas – Santana". Rolling Stone's 500 Greatest Albums of All Time (3rd ed.). London: Turnaround. ISBN 1-932958-61-iv. OCLC 70672814. Archived from the original on November 6, 2007. Retrieved March 9, 2006.
  25. ^ "Material Returns" (PDF). Cash Box. February 21, 1976. p. 48. Retrieved November 21, 2021 – via World Radio History.
  26. ^ "Two sets of Phish opening for Santana, summers '92 and '96". KDRT 95.7FM Davis. June three, 2012. Retrieved August 30, 2019.
  27. ^ Puterbaugh, Parke (2009). Phish: The Biography. Hachette Books. p. 107. ISBN9780306819476.
  28. ^ a b Bernstein, Scott. "Watch Phish Guest With Santana At Blossom In 1992: Video". JamBase . Retrieved February 21, 2022.
  29. ^ "International Latin Music Hall of Fame Announces Inductees for 2002". April five, 2002. Retrieved October 31, 2015.
  30. ^ "Latin honours for Carlos Santana". BBC News. May 25, 2004. Retrieved November 8, 2010.
  31. ^ "Artists Announced for Tribute to Carlos Santana at BMI Latin Awards in Las Vegas". bmi.com. March 22, 2005. Retrieved September 15, 2010.
  32. ^ "Carlos Santana Grooves in Guitar Hero 5, which included the song black magic adult female". idiomag. July 21, 2009. Retrieved July 24, 2009.
  33. ^ "Carlos Santana set for lifetime honour". The Hollywood Reporter. April 23, 2009. Retrieved December seven, 2017.
  34. ^ Ella Lawrence (January 28, 2010). "Carlos Santana opens Maria Maria in Danville". San Francisco Relate.
  35. ^ "Maria Maria Restaurants". Maria Maria Restaurants . Retrieved August 27, 2021.
  36. ^ a b "In Music, Carlos Santana Seeks The Divine". NPR. November iv, 2014. Retrieved November 14, 2014.
  37. ^ "Interview: Carlos Santana Discusses His MasterClass on "The Art and Soul of Guitar"". Relix.com. March half dozen, 2019. Retrieved June ten, 2021.
  38. ^ "Carlos Santana Joins Online MasterClass Teaching Staff". L4LM. December xiii, 2018.
  39. ^ "Santana Cancel European Tour Due To Coronavirus". Rolling Stone . Retrieved May 8, 2020.
  40. ^ "Grammy award-winning artist and guitarist Carlos Cantana signs with BMG". Music Business organisation Worldwide. August 4, 2021. Retrieved August four, 2021.
  41. ^ "NYC Central Park Homecoming Concert". CNN . Retrieved August 21, 2021.
  42. ^ "Santana – Musician's Corner – Blueish Guitar". Santana.com. Archived from the original on May six, 2009. Retrieved March 13, 2010.
  43. ^ "Santana – Musician'south Corner – Crimson Guitar". Santana.com. Archived from the original on April 1, 2009. Retrieved March 13, 2010.
  44. ^ "Santana – Musician's Corner – Audio-visual Guitar". Santana.com. Archived from the original on Feb xviii, 2009. Retrieved March thirteen, 2010.
  45. ^ "Toru Nittono Guitars". Nittonoguitars.com. Retrieved June 14, 2014.
  46. ^ a b [2] Archived March eighteen, 2014, at the Wayback Machine
  47. ^ [3] Archived September 27, 2007, at the Wayback Machine
  48. ^ [iv] Archived May 8, 2015, at the Wayback Machine
  49. ^ "The Mesa Boogie Story – a history". Mesaboogie.com. Archived from the original on February twenty, 2014. Retrieved June xiv, 2014.
  50. ^ "Welcome to the Pacific Coast Clearing Museum". learn.pacificcoastimmigration.org. Archived from the original on March 18, 2011. Retrieved October 19, 2010.
  51. ^ "Carlos Santana". Biography.com.
  52. ^ "The Milagro Foundation". www.carlosshoesformen.com. Archived from the original on March 10, 2018. Retrieved January 2, 2022.
  53. ^ "The Milagro Foundation: Making a difference in the lives of children through health, education, and the arts". world wide web.milagrofoundation.org. Archived from the original on November x, 2000. Retrieved Jan 2, 2022.
  54. ^ Dean Goodman (July 12, 2010). "Carlos Santana proposes onstage to girlfriend". Reuters . Retrieved November 8, 2010.
  55. ^ "Carlos Santana Is Engaged!". Us Weekly . Retrieved June 14, 2014.
  56. ^ "Carlos Santana Proposes to Drummer Girlfriend Onstage". Billboard. July 12, 2010. Retrieved June 14, 2014.
  57. ^ "Realtor – Real Estate News and Advice Customs". Realtor.com. Retrieved June 14, 2014.
  58. ^ "Carlos Santana: 'I Am A Reflection Of Your Light'". NPR. November 4, 2014. Retrieved Nov 14, 2014.
  59. ^ "Tony Bennett To Receive Billboard's Century Award". Billboard. Nielsen Concern Media. August four, 2006. Retrieved January 4, 2020.
  60. ^ "Carlos Santana fix for lifetime award". The Hollywood Reporter. April 23, 2009. Archived from the original on December 15, 2017. Retrieved Dec 7, 2017.
  61. ^ "Roberto Carlos and Carlos Santana to Be Honored at Billboard Latin Music Awards". Billboard. Prometheus Global Media. April three, 2015. Archived from the original on September 11, 2019. Retrieved December 7, 2017.
  62. ^ "CHCI Medallion of Excellence Awardees". Congressional Hispanic Caucus Institute. Archived from the original on December 14, 2010. Retrieved November fourteen, 2010.
  63. ^ Sleeman 2003, p. i,478 harvnb error: no target: CITEREFSleeman2003 (help)
  64. ^ "Echoes Debut in Berlin". Billboard. Vol. 113, no. 13. Nielsen Business Media. March 31, 2001. p. 82. ISSN 0006-2510. Retrieved January four, 2020.
  65. ^ "Carlos Santana | Creative person". The Recording Academy. Retrieved January 4, 2020.
  66. ^ "Carlos Santana". GRAMMY.com. Nov 23, 2020. Retrieved December thirty, 2021.
  67. ^ "Hollywood Walk of Fame Carlos Santana". Hollywood Walk of Fame. Retrieved Jan 4, 2020.
  68. ^ "International Latin Music Hall of Fame Announces Inductees for 2002". April 5, 2002. Archived from the original on September 24, 2015. Retrieved October 31, 2015.
  69. ^ "Listing of Kennedy Center Honorees". Kennedy-center.org. Archived from the original on Dec 9, 2008. Retrieved June xiv, 2014.
  70. ^ "Latin honours for Carlos Santana". BBC News. May 25, 2004. Archived from the original on October six, 2008. Retrieved November 8, 2010.
  71. ^ "Carlos Santana To Exist Inducted Into NAACP Epitome Awards Hall Of Fame". Ultimate Guitar. Retrieved Feb 8, 2013.
  72. ^ ""Stone the Vote": How a Boxing Against Rock Censorship Became a Transformation of Voting Among American Youth". Stone & Curl Library. Archived from the original on September 28, 2011. Retrieved December five, 2010.
  73. ^ "Director'south contribution to Chicano movement honored". Daily Bruin . Retrieved January four, 2020.
  74. ^ "The Eye". Billboard. Vol. 112, no. 51. Nielsen Concern Media. Dec sixteen, 2000. p. 84. ISSN 0006-2510.

General sources [edit]

  • Soul Sacrifice: The Carlos Santana Story, Simon Leng, 2000
  • Infinite Betwixt the Stars, Deborah Santana, 2004
  • Rolling Rock, "The Resurrection of Carlos Santana", Ben Fong Torres, 1972
  • New Musical Express, "Spirit of Santana". Chris Charlesworth, November 1973
  • Guitar Player Mag, 1978
  • Rolling Stone, "The Ballsy Life of Carlos Santana", 2000
  • Santana I – Sony Legacy Edition: liner notes
  • Abraxas – Sony Legacy Edition: liner notes
  • Santana III – Sony Legacy edition: liner notes
  • Viva Santana – CBS CD release 1988; liner notes
  • Power, Passion and Beauty – The Story of the Legendary Mahavishnu Orchestra Walter Kolosky 2006
  • Best of Carlos Santana – Wolf Marshall 1996; introduction and interview

Further reading [edit]

  • Leng, Simon (2000). Soul Cede: The Santana Story. London: Firefly Pub. ISBN0-946719-29-ii.
  • McCarthy, Jim (2004). Voices of Latin Stone: The People and Events That Created This Audio (1st ed.). Milwaukee, WI: Hal Leonard Corp. ISBN0-634-08061-Ten. Sansoe, Ron, foreword by Carlos Santana
  • Molenda, Michael (ed.). Guitar Player Presents Carlos Santana, Backbeat Books, 2010, 124 pp., ISBN 978-0-87930-976-3
  • Remstein, Henna. Carlos Santana (Latinos in the Limelight), Chelsea Firm Publications, 2001, 64 pp., ISBN 0-7910-6473-five
  • Santana, Deborah (King); Miller, Hal; Faulkner, John (ed.), with a foreword past Bill Graham. Santana: A Retrospective of the Santana Band'south Xx Years in Music, San Francisco Mission Cultural Center, 1987, fifty pp., no ISBN. OCLC 77798816 Includes a iv-p genealogical tree w/the member's proper name for every Santana band from 1966. Copy at SFPL
  • Santana, Deborah (King) (March one, 2005). Space Betwixt the Stars: My Journey to an Open Eye (1st ed.). New York: One World/Ballantine Books. ISBN978-0345471253.
  • Shapiro, Marc (2000). Carlos Santana: Back on Meridian. New York: St. Martin's Press. ISBN0-312-28852-2.
  • Slavicek, Louise Chipley (2006). Carlos Santana. New York: Chelsea Business firm Publishers. ISBN0-7910-8844-8. Juvenile literature
  • Sumsion, Michael. Maximum Santana: The Unauthorized Biography of Santana, Chrome Dreams, 2003, ISBN one-84240-107-6. A CD-sound biog
  • Weinstein, Norman (2009). Carlos Santana: A Biography. Santa Barbara, Calif.: Greenwood Press. ISBN978-0-313-35420-5.
  • Woog, Adam (2007). Carlos Santana: Legendary Guitarist. Detroit: Lucent Books. ISBN978-i-59018-972-vi.

External links [edit]

  • Official website
  • Milagro Foundation
  • Music Carlos Santana

jeromebeek1977.blogspot.com

Source: https://en.wikipedia.org/wiki/Carlos_Santana

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